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A limited version of the Effects module which you can use for free. This version can be used for non-commercial, non-professional use only. If you have any questions about the feature set, please contact your local iZotope account representative.
iZotope reserves the right to change these terms and conditions at any time without notice by posting the revised terms and conditions on the Web at http://www.izotope.com/vokalsynth/licenses/vokalsynth.txt . Your continued use of the Software following the posting of any such revised terms and conditions means you agree to be bound by the revised terms and conditions. If you do not agree to the revised terms and conditions, do not use the Software or access the Web site.
iZotope may discontinue the Software or Services at any time. When this happens, iZotope will provide all users a reasonable number of upgrades or transfers. Upon the discontinuance of the Software or Services, you agree to cease all use of the Software and related documentation, and iZotope and its resellers are entitled to destroy or otherwise dispose of all copies of the Software. These terms and conditions of use remain in effect beyond any dates described elsewhere in this Agreement.
iZotope and its resellers may, without notice, transfer any of your rights under the Agreement. As consideration for the transfer, iZotope may assign its rights and duties to a third-party. iZotope and its resellers are not responsible if such an assignment is made.
You may not transfer your license to the Software or Services except as explicitly authorized by iZotope. If you do, iZotope is not responsible if the transfer is in violation of the terms and conditions of this Agreement. You are granted a non-exclusive, limited, non-transferable, revocable license to use the Software and Services only within the terms of this Agreement.
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One of the most important aspects of writing harmony parts is to make sure all the voices are within a narrow frequency range of each other. Each voice should be a different tuning in terms of their fundamental. VocalSynth 2 gives us the ability to generate the ideal fundamental for each vocal from the Master EQ function and the Master Volume for that vocal.
But when its time to push the limits, youll find a lot of settings to tweak that will show you what VocalSynth 2 is capable of, especially when you understand the plugin parameters and how they work. When you combine any or all of the elements, it adds a completely new dimension to a song and you are guaranteed to hear some remarkable results.
In this tutorial, we’ll use VocalSynth 2 to add reverb to our vocal track. Imagine a speaker cabinet in front of you with the reverb its walls. Using some expert tweaking, we’ll make the vocal project a perfect match for the speakers.
While it doesnt offer as many presets as the original, VocalSynth 2 isnt one-trick pony, and it packs plenty of the same non-stop power and flexibility. Some of the presets are classic and go back to the basics of what the original VocalSynth did. Others are more state of the art and are designed to take the vocal to the next level, for example by adding reverbs, flanging and more. And of course, there are a few traditional VocalSynth favourites to keep you familiar.
And now for the big finish: we’re going to make a track out of our tutorial project, putting some of VocalSynths work to the test. In the previous tutorial, we used a simple overdub add-on like Filter Doubler and Vocoder Doubler to add a second vocal track and raise it in the mix. This time, we’re going to overdub the vocal track, manipulate it, and put it in a song. Remember that you can start the project with any of the tutorials demos from above, and whatever settings you use from this tutorial, you can use in those.
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What is iZotope VocalSynth?
“Wow, this is amazing! Thank you so much for producing this, I can actually use it in my project.” These are the words you hear often when plug-ins are sent to you by the folks at iZotope. And that is one of the reasons why I love my life and spend so much time in the studio. Not only do they make wonderful products that are reliable, durable, and incredibly easy to use, they are also fast to implement changes to their products. When one of their demo plugins is done, the first thing they do is to test it for you. That way, you can get on with your work, and not have to wait around for the company to come through with a new product.
I am very much a fan of VocalSynth. Although I have only tested a fraction of its available features, I really find it easy to use and fun to use. It does exactly what I need to get my job done and does so in such an elegant way that any of my friends in the industry would be jealous.
One of the most crucial decisions that you will make when mixing is whether or not to use a plug-in for that bass line you just can’t seem to get out of your head. If you take the time to really hear what each individual effect does, you will find that they all work in different ways. That is, they all produce a certain sound, but they all do so differently. When you use a combination of effects (using “echo” and “delay”) you can create unexpected results that are unique to what you hear. Simply put, VocalSynth is my new go-to vocal effect.
iZotope has long been a favorite go-to tool to work with and I think VocalSynth 2 is the best Vocal Engine on the market. iZotope brings over the amazing ability for you to mix virtually in 3 dimensions with the ability to sync up your mix to your waveforms, and then use vocal effects in a convenient yet highly customizable way that you can control from 3D faders.
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What’s new in iZotope VocalSynth
- The interface is completely new, following the same layout and design standards as that of Ozone 8 and Neutron 2. I think the best way to describe the interface is a “bigger, bolder, and faster look.”
- Vocal Synth 2 has made a number of significant improvements to the algorithm.
- iZotope has embraced new VST, AU, and RTAS updates for Mac OS X, Windows, and Linux. They’ve also made sure to include the new versions of VocalSynth 2 in the latest update of Spitfire Vocalizer 8.
- Vocal Synth 2 can now make use of up to 128 simultaneous inputs.
- The number of outputs Vocal Synth 2 can chain is now unlimited, allowing the plugin to output 16 simultaneous channels (Vocalizer 8 has eight simultaneous channels).
iZotope VocalSynth Features
- VocalSynth is a multi-effects virtual instrument that lets you create powerful vocal and lead sounds with unparalleled ease.
- The first of its kind, VocalSynth uses sophisticated analysis to overcome your most challenging vocal issues and quickly provides you with the specific sounds you need to craft world-class vocal performances.
- Many of the effects and features have been modeled after the famous vocal effects of analog equipment, such as the M-AUDI Vocalist, for an unparalleled sonic experience that delights both the ear and the heart.
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